Bridesmaids - Paul Feig
Being called "The Hangover for chicks" is a far misstatement, I feel. This is a film that is appealing to both genders, while being smart and funny all at once. Although a few of the laughs fall flat, and one scene in particular left me confused at its inclusion in the final cut, this is a great comedy, and one of the best so far this year. B+
Branagh may be, at first, a confusing choice to helm a summer blockbuster, but Thor's graphic novel back story relates all to well to Branagh's film career choices. Surprisingly fun (I at first thought the film was going to be a major dud), Thor kicks off a summer full of superhero flicks, and does a good job at standing out among some fairly decent flicks lately. B
My first foray into the Fast & Furious series was a mostly enjoyable one. It's obvious these films never go for the realistic approach, but it's a decent action flick that, from what I've been told, exceeds the last few installments by far. B-
Yep, it's pretty much the same as the first one, except the tiger/baby Carlos is now a monkey, the tooth is a tattoo, and the groom is the groom's brother-in-law to be. There are a few laughs to be had, sure, but there is nothing here that makes it stand out from the original, which was such a breath of fresh air to the R-rated comedy. C
The movie automatically gets a few "cool" points for being set in my hometown of Cleveland, and even a few more for having the main characters have a few family ties (no comment on that), but it loses a few with its at times lackluster script and poor cinematography. However, this is a fascinating (and very true) story about the man who basically helped bring down the mob. B
Abrams film was one of my most anticipated not just for the summer, but for 2011 on a whole. Sadly, it failed to live up to the expectations its terrific trailer set. The film, I think, loses a lot of its appeal when it introduces "The Monster" as a major factor. I was much more intrigued by the characters and their interactions with each other and their quaint little town. The final few minutes of the film brought it down even lower. C+
Working as both a prequel and reboot, Vaughn's film proves there is still life in this franchise that started this whole comic book movie frenzy back in 2000. James McAvoy and Michael Fassbender as young Professor X and Magneto, respectively, are terrific casting and embrace their characters full force. The film suffers in its final sequences, but still is a terrific start to what is going to undoubtedly be another trilogy. B+
Allen is such a fascinating director. He is so set on continually working so as to ensure that he doesn't die as soon as he could (no, seriously. He thinks that by always working on another film he'll prolong his life), it guarantees that many of his films will be flops. However, Midnight stands out, and is one of his best films in quite some time. This is a film best seen without any knowledge of its plot or characters; it makes it that much more enjoyable. A-
It's hard to call this a movie, because there's no real plot here at all, which may work sometimes in modern comedies (see: Anchorman), but here it simply doesn't. The film plays like a bunch of SNL skits mashed together with the same characters, and none of them are even remotely funny. C-